Iran Pavilion in the last gardening exhibition of Naning, " the garden of IRAN" its first interaction depicts redesigning the familiar prototype of the "Persian garden". In the other word, it means the rehabilitation of a micro climate which is weaved into the geography and the culture of its own context, although being located in the far away culture and geography. It would alert the danger of redesigning the fake role model of the same building. This definition inherited the unique identity of its own patriotic land and directly impact the art and culture of indigenous peoples.
We will take the "Iranian Garden" as a cultural souvenir from a long distance climate with all the influential and impressed items during the historical experience of a civilization to the city of Nanning. Such an experience which holds the unique worldview of the people of this land about the intervention in nature, coming from the conception of god and human.
Persian garden is a micro climate which is spread on any context like a carpet, regardless of its shape and forms, and represents a paradise on earth in a vast contrast with its context.
BAGH-O-RAGH!
either RAGH is a desert or Shiraz city or Tabriz, BAGH had Been enclosed within walls and is totally separated from the Rush of the World.
Narrative of this historical experience is obtained –not in repeating the Persian garden prototype-but in designing the related experiences.
In the scenario of designing the experience the visitor achieves experiences with all his senses during the presence in the pavilion and at the end of the path he will percept the idea of architype of Iranian paradise.
A perception of appetence of paradise in tiles, carpet, literature, negargary, miniature, modern art, Iranian culture and of course in "IRANIAN GARDEN".